We live in a condo filled with things. Lots and lots and lots of things. We have, for example, a set of old, broken, hopelessly rusty and completely unusable golf clubs. We have boxes and boxes of some kind of record that predates the kind of records I had when I was a kid. They’re records from like the 40s, groups with names like The Mulligan Sisters and The Apple Pie Gang. I don’t even know what kind of record player would play them. A gramophone, maybe. We have a painting of a lion Scott’s mother did during her Cubist period. We have a home beer making kit that I got Scott for our anniversary one year, the year that he bought me a Cartier bracelet, which made me feel like a total jerk. Cans of paint, bags of extension cords, the boxes for all of our electronics past and present, bike locks, baby clothes, a P90X that only saw the light of day when I watched part of it while eating half a bag of Oreos.
We have, in other words, no room for anything else.
And so, I have a problem with a growing pile of art. Kai likes to express himself, you see.
Kai comes from a long line of artists, so we encourage this behavior. We revel in it, even. How proud Grandma Barbara would have been! We say. It’s lovely, Monkeyman. And then, well, it sits on our table because we have nowhere to put it.
Today, I was cleaning in advance of the cleaning lady, and came across the following:
I sighed and threw it away, only to dig it out of the garbage shortly thereafter. I mean, look how cute! He stayed in the lines! He tried to follow the zigzags in the egg! Sigh again. I know you’re not impressed. But to me it’s like the umbilical cord stump. It connected us. How can I throw it away? Sigh a third time. Shut up. I’m keeping it.
I am sharply aware that a Box of Your Kid’s Art will haunt you and your attic for the rest of your life. I am aware of this because I have a Box of Art at my parents’ that I keep promising to go through and never do. However, on a recent visit, due to the cresting Mississippi River, which was threatening to wash away the detritus of forty-two years of marriage in their storage space, the box was in my parents’ living room when I got there. My dad gave me a glass of wine and bade me to sit down and look through it.
Everything was pasted into albums by year, starting, of course with pre-school.
“Oh, I remember this place,” I said to my dad. “There was a guy who worked there who had a paddle. He would walk up and down the aisles during nap time threatening to beat any of us who weren’t sleeping.”
My dad’s eyebrows shot up. “Really.”
“Oh, yeah. This was the 70s, though. You could totally do that back then.”
“No,” he said, grimly. “No you couldn’t.”
“Hey! Look at this!” I exclaimed, holding up a drawing I’d made of myself napping. “See? You had to nap or you were in big trouble.”
In another album I found an autobiography I’d written in the fourth grade. My hobbies, I’d written in a childish script with circles over the Is, include stamp collecting, gymnastics and horseback riding. The stamp collecting was not strictly true. One summer at my grandma’s house, my cousins and I came upon a stamp collection and divided it up among the three of us. They actually had some experience vis a vis stamps, but I was clueless, feigning interest only because I thought my cousins were cool. You know. For collecting stamps. Anyway, much later, never having so much as looked at them in the intervening years, I took them to a stamp dealer, hoping for a little windfall. The stamp dealer took off his glasses and shoved the stacks of stamps back across the table. “The best way to get value out of these would be to use them as postage,” he said. I never did this, of course, because the stamps had a face value of like half a cent, so it would take 82 of them to send a letter to my fourth grade teacher telling her that I wanted to change my essay from “stamp collecting” to “picking my nose,” which is as productive and almost as lucrative.
The next album had a card made of construction paper with beans glued onto it. The cover read “For Mom.” I opened it and saw another design on the inside that looked like rice. On closer inspection they turned out to be—
“Oh, God!” I yelped. “Dad, are these maggots?”
My father, ever the scientist, looked at the card. “It would appear that a fly laid some eggs there, yes.”
I dropped the card in the box, my skin crawling.
“What are you guys looking at?” my mom called from the next room.
“A card,” I answered her, reaching for my wine. I grinned at my dad. “It’s for you.”
…
A friend of mine recently told me that all of his kids’ artwork has been digitally photographed and thrown away, thereby preserved for all eternity but not taking up anything larger than a megabyte. I like this idea a lot, but, maggots notwithstanding, there was something about those albums that was really sweet. Holding the cards and drawings, feeling the pages crackle with age, the paint dust on my fingers. Even sweeter was that someone had thought enough of them to paste them into albums and save them, like they were worth something.
So Kai will have his own Box of Art.
Maybe thirty years from now, when I make him take it out of my closet, I’ll say, “Sweet boy, I loved each of these drawings. I couldn’t part with a single one. I treasured them because they were a part of you.”
Or maybe I won’t say that.
Maybe, by the presence of the box, he’ll just know.
And maybe I’ll sneak the Apple Pie Gang into the box, just to get it out of my closet.